AUDIENCE'S ACCEPTANCE OF WOMEN'S SEXUAL OBJECTIVES IN THE FILM “SELESAI” (2021)
Abstract views: 227
,
pdf downloads: 137
Keywords:
audience reception, sexual objectification, finished film
Abstract
This study aims to analyze the audience's reception of the sexual objectification of women in the film Finish (2021). This research method is a qualitative approach method. Data were obtained through in-depth interviews, documentation and literature studies. The results of the study showed that there were differences in interpretation of the acceptance of female sexual objectification in the film Finish (2021) by the informants. The meaning of informants is influenced by the background of each individual which is reproduced repeatedly in everyday life, or the frame of reference and field of experience of the informants. In line with Stuart Hall's reception analysis theory which refers to the encoding-decoding process. With reception analysis, it can be seen that the audience/viewers have an active role in interpreting the meaning in the film.
References
Adi, T. (2012). Mengkaji Khalayak Media dengan Metode Penelitian Resepsi. Acta Di Urna, 8(1).
Ahmed, S., & Wahab, J. A. (2016). Entertainment To Exploitation: a Psycho-Analysis of Sexual Objectification of Women in Films/Cinema. Proceedings of 13th IASTEM International Conference, 2(7), 15–18.
Alkhajar, E. N. S. (2015). Menguak Relasi Patriotisme, Revolusi Dan Negara Dalam Film Indonesia. Jurnal Penelitian Humaniora, 16(1), 60–75. https://doi.org/10.21831/hum.v16i1.3418
Andylala, M. E. (2018). Analisis isi pesan moral dan pesan sosial dalam film (studi pada film “taken 3”). Universitas 17 Agustus 1945 Surabaya.
Anisti. (2017). Komunikasi Media Film Wonderful Life (Pengalaman Sineas Tentang Menentukan Tema Film). Jurnal Komunikasi, 8(1), 33–39. https://doi.org/10.31294/kom.v3i2.1308
Ardianto, Elvinaro, & Komala, L. (2004). Komunikasi Massa (Studi Pengantar). Simbiosa Pratma Media.
Artana, F. K. W. (2018). The Woman Objectification and Abjection in Hannah Kent’s Burial Rites. Language Horizon, 6(1), 74–84. https://doi.org/10.26740/lk.v6i2.25067
Asaroh, I. (2022). The Male Gaze: Objektifikasi Perempuan yang Menghambat Pemberdayaan Diri. Times Indonesia.
Asri, R. (2020). Membaca Film Sebagai Sebuah Teks: Analisis Isi Film “Nanti Kita Cerita Tentang Hari Ini (NKCTHI).” Jurnal Al Azhar Indonesia Seri Ilmu Sosial, 1(2), 74. https://doi.org/10.36722/jaiss.v1i2.462
Badan Pusat Statistik Kota Surabaya. (2021). Hasil Sensus Penduduk 2020 Kota Surabaya.
Barker, C. (2015). Cultural Studies: Teori dan Praktik. Bentang Pustaka.
Budiarti, Y. O. (2014). Resistensi dari Objektifikasi Terhadap Perempuan Dalam Novel The Sinden Karya Halimah Munawir. Skripsi Universitas Diponegoro Semarang.
Calogero, R. M. (2012). Objectification Theory, Self-Objectification, and Body Image. In Encyclopedia of Body Image and Human Appearance (Vol. 2). Academic Press. https://doi.org/10.1016/B978-0-12-384925-0.00091-2
Danesi, M. (2010). Pesan Tanda dan Makna : Buku Teks Dasar Mengenai Semiotika dan Teori Komunikasi. Jalasutra.
Dewi, S. I. (2019). Analisis Semiotik Pesan Perjuangan Pada Film 3 Srikandi Karya Iman Brotoseno. JISIP: Jurnal Ilmu Sosial Dan Ilmu Politik, 6(3), 1–5. https://doi.org/10.33366/jisip.v6i3.1401
Effendy, O. U. (2017). Ilmu Komunikasi Teori dan Praktek. Remaja Rosda Karya.
Farihah, I. (2013). Seksisme Perempuan Dalam Budaya POP Media Indonesia. Jurnal Palastren, 6(1), 223–244.
Fatharani, R. B. (2019). Analisis Resepsi Tentang Citra Publik Perempuan dalam Film Critical Eleven. Lektur, Jurnal Ilmu Komunikasi, 2(1).
Fathurizki, A., & Malau, R. M. U. (2018). Pornografi dalam film: Analisis resepsi film “Men, women & children.” ProTVF, 2(1), 19–35.
Febriana, I. K. (2018). Objektifikasi Perempuan dan Pengaruhnya Terhadap Kesehatan Mental. Tempo.Co2.
Forum News Network. (2021). Glorifikasi Objektifikasi Perempuan dalam Film “Selesai.” Fnn.
Goodall, H. (2012). Media’s Influence on Gender Stereotypes. Media Asia, 39(3), 160–163. https://doi.org/10.1080/01296612.2012.11689932 Goodall,
Hall, S., Hobson, D., Lowe, A., & Willis, P. (2011). Budaya Media Bahasa: Teks Utama Pencanang Cultural Studies 1972-1979 penerjemah Saleh Rahmana. Jalasutra.
Handayani, R. (2017). Male Gaze Dalam Fotografi Model: Objektifikasi Dan Komersialisasi Tubuh Perempuan. Jurnal Jurnalisa, 3(1), 91–105. https://doi.org/10.24252/jurnalisa.v3i1.3086
Ahmed, S., & Wahab, J. A. (2016). Entertainment To Exploitation: a Psycho-Analysis of Sexual Objectification of Women in Films/Cinema. Proceedings of 13th IASTEM International Conference, 2(7), 15–18.
Alkhajar, E. N. S. (2015). Menguak Relasi Patriotisme, Revolusi Dan Negara Dalam Film Indonesia. Jurnal Penelitian Humaniora, 16(1), 60–75. https://doi.org/10.21831/hum.v16i1.3418
Andylala, M. E. (2018). Analisis isi pesan moral dan pesan sosial dalam film (studi pada film “taken 3”). Universitas 17 Agustus 1945 Surabaya.
Anisti. (2017). Komunikasi Media Film Wonderful Life (Pengalaman Sineas Tentang Menentukan Tema Film). Jurnal Komunikasi, 8(1), 33–39. https://doi.org/10.31294/kom.v3i2.1308
Ardianto, Elvinaro, & Komala, L. (2004). Komunikasi Massa (Studi Pengantar). Simbiosa Pratma Media.
Artana, F. K. W. (2018). The Woman Objectification and Abjection in Hannah Kent’s Burial Rites. Language Horizon, 6(1), 74–84. https://doi.org/10.26740/lk.v6i2.25067
Asaroh, I. (2022). The Male Gaze: Objektifikasi Perempuan yang Menghambat Pemberdayaan Diri. Times Indonesia.
Asri, R. (2020). Membaca Film Sebagai Sebuah Teks: Analisis Isi Film “Nanti Kita Cerita Tentang Hari Ini (NKCTHI).” Jurnal Al Azhar Indonesia Seri Ilmu Sosial, 1(2), 74. https://doi.org/10.36722/jaiss.v1i2.462
Badan Pusat Statistik Kota Surabaya. (2021). Hasil Sensus Penduduk 2020 Kota Surabaya.
Barker, C. (2015). Cultural Studies: Teori dan Praktik. Bentang Pustaka.
Budiarti, Y. O. (2014). Resistensi dari Objektifikasi Terhadap Perempuan Dalam Novel The Sinden Karya Halimah Munawir. Skripsi Universitas Diponegoro Semarang.
Calogero, R. M. (2012). Objectification Theory, Self-Objectification, and Body Image. In Encyclopedia of Body Image and Human Appearance (Vol. 2). Academic Press. https://doi.org/10.1016/B978-0-12-384925-0.00091-2
Danesi, M. (2010). Pesan Tanda dan Makna : Buku Teks Dasar Mengenai Semiotika dan Teori Komunikasi. Jalasutra.
Dewi, S. I. (2019). Analisis Semiotik Pesan Perjuangan Pada Film 3 Srikandi Karya Iman Brotoseno. JISIP: Jurnal Ilmu Sosial Dan Ilmu Politik, 6(3), 1–5. https://doi.org/10.33366/jisip.v6i3.1401
Effendy, O. U. (2017). Ilmu Komunikasi Teori dan Praktek. Remaja Rosda Karya.
Farihah, I. (2013). Seksisme Perempuan Dalam Budaya POP Media Indonesia. Jurnal Palastren, 6(1), 223–244.
Fatharani, R. B. (2019). Analisis Resepsi Tentang Citra Publik Perempuan dalam Film Critical Eleven. Lektur, Jurnal Ilmu Komunikasi, 2(1).
Fathurizki, A., & Malau, R. M. U. (2018). Pornografi dalam film: Analisis resepsi film “Men, women & children.” ProTVF, 2(1), 19–35.
Febriana, I. K. (2018). Objektifikasi Perempuan dan Pengaruhnya Terhadap Kesehatan Mental. Tempo.Co2.
Forum News Network. (2021). Glorifikasi Objektifikasi Perempuan dalam Film “Selesai.” Fnn.
Goodall, H. (2012). Media’s Influence on Gender Stereotypes. Media Asia, 39(3), 160–163. https://doi.org/10.1080/01296612.2012.11689932 Goodall,
Hall, S., Hobson, D., Lowe, A., & Willis, P. (2011). Budaya Media Bahasa: Teks Utama Pencanang Cultural Studies 1972-1979 penerjemah Saleh Rahmana. Jalasutra.
Handayani, R. (2017). Male Gaze Dalam Fotografi Model: Objektifikasi Dan Komersialisasi Tubuh Perempuan. Jurnal Jurnalisa, 3(1), 91–105. https://doi.org/10.24252/jurnalisa.v3i1.3086
Published
2024-03-31
How to Cite
Ahmad, N. Y., Tutiasri, R. P., Clareta, D., & Arviani, H. (2024). AUDIENCE’S ACCEPTANCE OF WOMEN’S SEXUAL OBJECTIVES IN THE FILM “SELESAI” (2021). JOSAR (Journal of Students Academic Research), 9(1), 79-91. https://doi.org/10.35457/josar.v9i1.2661
Section
Articles
Copyright (c) 2024 Namira Yunita Ahmad, Ririn Puspita Tutiasri, Dyva Clareta, Heidy Arviani
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
