THE ROLE OF THE GOVERNMENT AND TIK TOK IN PROVIDING LEGAL PROTECTION FOR CREATORS AGAINST COPYRIGHT INFRINGEMENT FOR RE-SHOWING CINEMATOGRAPHIC WORKS ON THE TIK TOK APPLICATION
Abstract
Based on the Copyright Law, cinematographic works are defined as creations in the form of moving images, including documentary films, advertising films, reportages or story films made with scenarios, and cartoon films. In this modern era, the entertainment industry is also experiencing modernization in its broadcast media. Now you can easily find legal applications for enjoying cinematographic works on smartphones. Apart from using this convenience in a positive way, it turns out that there is still a gap for someone to commit a crime from the existing convenience, such as copyright infringement on cinematographic works. If this violation has occurred, what about legal protection for the creator of his work?
The research used in this research is normative legal research or doctrinal law. Normative legal research is a type of legal research whose process is based on the logic of legal science from its normative side. In this research, researchers took a legislative approach by analyzing the relationship between one legal regulation and other regulations related to the problems that occurred.
The results of this research explain the forms of copyright infringement against re-displays of cinematographic works on the Tik Tok application and the role of the government and Tik Tok in providing legal protection for creators against copyright violations for re-displays of cinematographic works on the Tik Tok application.
References
Ibrahim, Johnny. (2013). Teori dan Metode Penelitian Hukum Normatif. Malang: Bayumedia Publishing.
Ramli, Ahmad M. (2010). Cyber Law & HAKI Dalam Sistem Hukum Indonesia. Bandung: PT Refika Aditama.
Roisah, Kholis. (2015). Konsep Hukum Hak Kekayaan Intelektual (HKI) Sejarah, Pengertian dan Filosofi Pengakuan HKI dari Masa ke Masa. Malang: Setara Press.
Setiono, (2004). Rule Of Law (Supremasi Hukum). Surakarta: Magister Ilmu Hukum Program Pascasarjana Universitas Sebelas Maret.
Arlandy, V. J., & Purnamasari, D. (Maret, 2022). Perlindungan Hak Cipta Terhadap Penayangan Ulang Imperfect The Series oleh Akun TikTok. Jurnal Reformasi Hukum Trisaksti, 4 (1), 11-20.
Balqis, W. G., (Juni, 2021). Perlindungan Merek Sebagai Hak Kekayaan Intelektual: Studi di Kota Semarang, Indonesia. Jurnal Judicial Review, 23 (1), 41-56.
Dewi, N. M. T. (April, 2022). Penyelesaian Sengketa Non Litigasi Dalam Penyelesaian Sengketa Perdata. Jurnal Analisis Hukum (JAH), 5(1), 81-89.
Fauzi, W. (2019). “Tinjauan Sinematografi Representasi Kekerasan Yang Melibatkan Karakter Jaka Sembung Pada Film Jaka Sembung Sang Penakluk Tahun 1981 Melalui Analisis Framing”. Laporan Pengantar Skripsi, (Universitas Komputer Indonesia, Bandung).
Harahap, F. (Oktober, 2019). “Tanggung Jawab Perdata Terhadap Pelaku Pelanggaran Hak Cipta atas Tindakan Spoiler Film pada Unggahan Media Sosial”. Skripsi, (Jurusan Ilmu Hukum, Fakultas Hukum, Universitas Muhammadiyah Sumatera Utara, Medan).
Jaman, U. B., Putri, G. R., & Anzani, T. A. (April, 2021). Urgensi Perlindungan Hukum Terhadap Hak Cipta Karya Digital. Jurnal Rechten: Riset Hukum dan Hak Asasi Manusia, 3 (1), 9-17.
Malimbe, A., Waani, F., & Suwu, E. A. (September, 2021). Dampak Penggunaan Aplikasi Online Tik Tok (Douyin) Terhadap Minat Belajar di Kalangan Mahasiswa Sosiologi Fakultas Ilmu Sosial dan Politik Universita Sam Ratulangi Manado, Jurnal Ilmiah Society, 1 (1), 1-10.
Ula, L. F. (Juli, 2019). “Perlindungan Hukum Hak Cipta Film Terhadap Penyedia Website Download Film Gratis di Internet”. Skripsi, (Fakultas Hukum Universitas Jember, Jember).
Wiguna, J. N. (September, 2022). “Perlindungan Hukum Terhadap Pemegang Hak Cipta Atas Film Yang Telah Dibagikan Melalui Aplikasi Telegram”. Skripsi, (Jurusan Hukum, Fakultas Hukum, Universitas Pembangunan Nasional “Veteran” Jawa Timur, Surabaya).
Dian, R. (November, 2023). Daftar Harga Gift Tik Tok Beserta Nominalnya Terbaru dan Terlengkap 2023. Narasi.tv. https://narasi.tv/read/narasi-daily/harga-gift-tiktok,
Direktorat Jenderal Kekayaan Intelektual. (Juni, 2020). DJKI & Kemendagri Bahas Manfaat Pencatatan Hak Cipta. Dgip.go.id. https://dgip.go.id/artikel/detail-artikel/djki-kemendagri-bahas-manfaat-pencatatan-hak-cipta?csrt=13048671170405475404#:~:text=Dengan%20adanya%20pencatatan%20ciptaan%20di,mempermudah%20pendokumentasian%20atas%20karya%20ciptanya
Kitab Undang-Undang Hukum Perdata (KUHPerdata)
Undang-Undang Nomor 11 Tahun 2008 Tentang Infromasi dan Transaksi Elektronik
Undang-Undang Nomor 28 Tahun 2014 tentang Hak Cipta
Peraturan Menteri Komunikasi Dan Informatika Nomor 5 Tahun 2020 Tentang Penyelenggara Sistem Elektronik Lingkup Privat.
Copyright (c) 2024 sasmitha Agustin, Anajeng Esri Edhi Mahanani
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).